Geoff Williams

Baritone
Geoff Williams

Geoff Williams trained at the Royal Academy of Music completing a Master’s Degree in Performance, with Distinction.

Recent roles include Papageno and Sprecher Die Zauberflöte, Geronio Il turco in Italia, Escamillo and Dancaire Carmen, Don Alfonso Cosi fan tutti, General Achilla Giulio Cesare (Handel). He also covered the role of Marchese d’Obigny La Traviata for Longborough Festival Opera.

Geoff’s concert performances have included Herod in Berlioz’s L’Enfance du Christ (Scherzo Ensemble), Orff’s Carmina Burana (Colston Hall), Verdi’s Requiem (L’église de la Madeleine and Chartres Cathedral), Rossini’s Petite messe solennelle (St Margaret’s Church, Westminster), Pilatus and Arias in Bach’s St Matthew Passion (Wells Cathedral), Pilatus and Arias in St John Passion (Southwell Minster and Galway Cathedral), Barber’s Dover Beach with the Villiers Quartet (St John’s Smith Square).

He also understudied Roderick Williams in the World Premiere of the ‘Da Vinci Requiem’ by Cecilia Mcdowall with the Philharmonia Orchestra (Royal Festival Hall).

Upcoming performances in 2022 include: Brahms Requiem. Handel’s Messiah, Mendelssohn’s Elijah and a new work by Steve Banks ‘Blue Pearl’ which will be filmed in St Giles, Cripplegate, London with the London Mozart players.

He studies with Janice Chapman and Gavin Carr

For further information, visit www.geoffwilliamsbaritone.com

Vanessa Bowers

Soloists, Soprano
Vanessa Bowers

Soprano Vanessa Bowers graduated with an MA with distinction in Opera Performance, at the Royal Welsh College of Music and Drama in Cardiff in 2013, having previously studied at the Royal Academy of Music and ENO’s Opera Works.  She recently sang the role of Tiny in Britten’s Paul Bunyan for Welsh National Youth Opera, for which she received critical acclaim.

Other recent roles include: Susanna, Galatea (Winterbourne Opera), Frasquita (St Magnus Festival) and Female Chorus (RWCMD). Future performances include the title role of Snegurochka by Rimsky Korsakov for UCOpera and Chorus with Garsington Opera Festival.

Philippa Boyle

Soloists, Soprano
Philippa Boyle

Philippa Boyle trained in Rome, at Conservatorio “Santa Cecilia”, graduating with full marks and distinction, and Santa Cecilia Opera Studio (Accademia Nazionale Santa Cecilia), where she studied with world-renowned soprano Renata Scotto.  Prior to her studies in Italy, Philippa read Classics at Clare College, Cambridge, where she was a choral scholar.

Winner of the Emmy Destinn Young Singer Award for Czech opera and song, Philippa has performed at Aix-en-Provence Festival, Beijing Music Festival, Munich Opera Festival and Innsbruck Early Music Festival.

Opera roles include Tosca for King’s Head Theatre; Cathleen, Vaughan Williams Riders to the Sea (Wexford Festival Opera); cover Cockerel, Janáček The Cunning Little Vixen, semi-chorus, Brett Dean Hamlet (Glyndebourne Festival Opera); Alice Ford, Verdi Falstaff;  Donna Anna, Don Giovanni; Giorgetta, Puccini Il Tabarro, Giunone, Cavalli La Calisto.

Oratorio engagements include Verdi Requiem (Bournemouth Symphony Orchestra, Leeds Town Hall; King’s College, Cambridge; Sheldonian Theatre, Oxford; Southwark Cathedral, Fulda Cathedral, Germany); Beethoven Missa Solemnis (Snape Maltings, St Albans Cathedral); Britten War Requiem (Oxford Town Hall); Handel Messiah (York Minster; Auditorio Manuel de Falla, Granada, Spain). 

Colin Campbell

Baritone, Soloists
Colin Campbell

Colin Campbell is an established concert soloist and has appeared throughout the UK, in Europe, the U.S.A. and the Far East, in repertoire ranging from Monteverdi to Tavener.

International concert performances include the arias in Bach’s St John and St Matthew Passions with Trevor Pinnock and The English Concert; Christus in Bach’s St Matthew Passion in Tampere, Finland and in Beijing, China (Chinese Premiere); Bach’s B Minor Mass in Japan and Korea with Sir John Eliot Gardiner; Beethoven’s Leonore at the Lincoln Center New York, the Salzburg Festival and the Amsterdam Concertgebouw, also with Sir John Eliot Gardiner; Brahms Ein Deutsches Requiem in Shanghai; and Marcel Dupré’s cantata De Profundis in Munich with the Bayerische Rundfunk and Marcello Viotti;

In the UK he has appeared at the Royal Albert Hall with the Philharmonia Orchestra and the Choir of King’s College Cambridge in Vaughan Williams’ Fantasia on Christmas Carols and with the Royal Philharmonic Orchestra in Mahler’s Eighth Symphony. At the Queen Elizabeth Hall Colin has performed with the Royal Philharmonic Orchestra in Elgar’s Dream of Gerontius and the City of London Sinfonia in Vaughan Williams’ Dona Nobis Pacem.  At Westminster Cathedral he has appeared with the Bach Choir and the English Chamber Orchestra in Fauré’s Requiem and has performed Brahms’ Ein Deutsches Requiem at Symphony Hall, Birmingham.

Colin’s operatic repertoire is extensive and he has performed with Kent Opera, English Touring Opera, Welsh National Opera, Aix en Provence Festival, Bermuda Festival and the Royal Opera House, Covent Garden.

 

Caroline Clemmow

pianist, Soloists
Caroline Clemmow

Caroline Clemmow has a rich and varied musical background. As a talented young violinist, she led the Kent County Youth Orchestra whilst still focussing mainly on her pianistic skills. She was awarded a piano scholarship to the Royal Academy of Music where she won many prizes for both solo and ensemble playing. As a chamber musician she collaborated with many instrumentalists (both string and wind) and singers and became a founder member of the Hartley Piano Trio, which gained international recognition by its concert and festival appearances, broadcasts and numerous recordings, including the complete trios of Spohr on the Naxos label.
While also performing concertos and giving recitals as a soloist Caroline derives particular pleasure from the field of chamber music; she has worked with such diverse groups as Serenata, Kaleidoscope and the Koenig Ensemble, and has covered an extremely wide repertoire, ranging from the classics and romantics to complex twentieth-century works with the last-named group in a seven-city tour of the former Soviet Union, and percussion-and-piano works with Evelyn Glennie. Her many activities have led to numerous London concerts, regular broadcasts and invitations to major festivals.
An important part of her work was the celebrated piano duo with Anthony Goldstone, who died in 2017, described by Gramophone as “a dazzling husband and wife team”. They had a unique and enterprising repertoire on one and two pianos and were critically acclaimed for their pioneering broadcasts and CD recordings, the latter over forty in number, including a ground-breaking seven-CD cycle of the complete original piano duets of Schubert. Their BBC broadcasts often included first hearings of unjustly neglected works, demonstrating their painstaking research by mixing famous masterpieces and fascinating rarities, and they built up an international following.

 

Richard Dowling

Soloists, Tenor
Richard Dowling

Richard Dowling is a graduate of the Royal Academy of Music’s Opera Course, where he was privileged to perform the role of Tom Rakewell in Stravinsky’s ‘The Rake’s Progress’ and as a soloist in the Academy’s complete Bach cantatas series. He is now supported by Opera Prelude and regularly appears in their concerts and lectures.

He sang the role of Ferrando in Mozart’s ‘Cosi fan tutte’ with West Green Opera and, working with the inspirational Graham Vick, performed the role of the Sailor in Birmingham Opera Company’s production of Purcell’s ‘Dido and Aeneas’. He has sung the role of Nemorino in Donizetti’s ‘Elisir d’amore’ with Jackdaws OperaPLUS. He has been a regular with Garsington Opera and amongst other roles performed as the Glassmaker in Britten’s ‘Death in Venice’ conducted by Steuart Bedford. He also sang the role of Count Almaviva in Rossini’s ‘The Barber of Seville’ as a young artist with Mid Wales Opera.

He is also an experienced oratorio artist, engagements including Britten’s ‘Ballad of Heroes’ and Mozart’s ‘Requiem’ in the Bridgewater Hall, Finzi’s ‘Dies Natalis’ in Brentwood Cathedral, Janacek’s ‘Otcenas’ in Gorton Monastery and the ‘Messiah’ in Lincoln Cathedral.

Emily Hodkinson

Mezzo-Soprano, Soloists
Emily Hodkinson

Emily is a Nottingham-born mezzo-soprano. She studies at the Royal Conservatoire of Scotland on
the MMus Vocal Performance Course, studying with Clare Shearer and is supported by a
scholarship. She is the winner of the John and Barbara Beaumont Bursary and the Liz Chant
Bursary.
She holds a First Class Honours Degree in Music from the University of York and was a Fellow
of the National Youth Choirs of Great Britain in 2017-18. She sang with Genesis Sixteen from
2016-17 under the direction of Harry Christophers and Eamonn Dougan.
Recent and forthcoming appearances include Elgar’s The Music Makers with Nottingham
Festival Chorus in February 2019, Sara (Tobias and the Angel, Dove) for Nottingham Cathedral
and Streetwise Opera and recitals in the Southwell Minster and the Nottingham Classics preconcert
recital. Alongside oratorio with the European Union Chamber Orchestra at St John Smith
Square and with Aldeburgh Voices at the Snape Maltings Easter Weekend.
Emily had the honour of being the first Female Alto to sing with the Men and Boys Choir at
Southwell Minster in February 2018, a landmark moment in the Minsters 900+ year history.

Carris Jones

Mezzo-Soprano, Soloists
Carris Jones

Born in Surrey but largely raised in Southeast Asia, Carris Jones studied at Gonville and Caius College, Cambridge and the Royal Academy of Music, graduating with a DipRam, the Academy’s highest performance award.

On the operatic stage, Carris has performed and covered roles at English National Opera, Iford Arts, Garsington Opera and Bury Court Opera. Carris made her Royal Festival Hall debut as Renee in the European premiere of Shostakovich’s Orango, with Esa Pekka-Salonen and the Philharmonia.

Carris’ concert  highlights include Britten Phaedra with members of the Philharmonia, Bach Magnificat for Laurence Cummings and the English Concert, and performances of Elgar Sea Pictures and Mahler Kindertotenlieder. As a consort singer, Carris has sung across five continents. She was a founder member of Stile Antico, and collaborated with Sting on his Dowland project, Songs from the Labyrinth.

In 2017, Carris joined the Choir of St Paul’s Cathedral, the first female Vicar Choral ever to be appointed.

Matthew Keighley

Soloists, Tenor
Matthew Keighley

Matthew Keighley is currently a master’s student at the Royal College of Music. He is a Soirée d’Or Scholar and working under the tutelage of Tim Evans-Jones. He is also supported by the Josephine Baker Trust. Prior to his studies at the Royal College of Music, Matthew was a Lay Clerk at Gloucester Cathedral.

Matthew is in growing demand across the UK and Ireland as a concert soloist. Recent performance highlights include Handel’s Messiah with Tewkesbury Abbey Schola Cantorum and Ethel Smyth’s Mass in D in Southwark Cathedral with London Oriana. Matthew was also recently involved in an Irish tour of Handel’s Theodora with the Irish Baroque Orchestra. Further afield, Matthew performed last summer in Corfu and Italy singing as a soloist for the Ionian University Choir.

Since starting music college in September, Matthew has been gathering experience on stage. He was delighted to be involved in Mozart’s The Marriage of Figaro, directed by Sir Thomas Allen and looks forward to the College’s summer opera production where he has been cast as Errand Boy in Lennox Berkeley’s A Dinner Engagement.

Judy Louie Brown

Mezzo-Soprano
Judy Louie Brown

 

 

Scottish mezzo-soprano Judy Louie Brown read Music at the University of Edinburgh and received her Masters from the Guildhall School of Music & Drama, and is now a much sought-after recitalist, opera and consort singer. Described by Opera Magazine as singing with “steadiness, purity, dignity and command”, she works with Dunedin Consort, Scottish Opera, the Monteverdi Choir, English Concert and the Academy of Ancient Music. She has performed at the Proms, Aix-en-Provence Festival, London Handel Festival, Handel Festival in Halle, Germany, Edinburgh International Festival, the Barbican’s Contemporary Music Season and at the Tête-à-Tête opera festival, and on stages as diverse as Tokyo’s Suntory Hall, the Wigmore Hall, the Vienna Musikverein and St Magnus’ Cathedral, Orkney.

Praised for the “dynamism and delicacy” of her singing, solo performance highlights include the Orcadian premiere of Sir Peter Maxwell Davies’ song cycle for mezzo-soprano and chamber ensemble The Birds in St Magnus Cathedral, Orkney, a recital of the lieder of Schubert and Hans Gál in the Queen’s Hall, Edinburgh, Handel’s Messiah for The Edinburgh Royal Choral Union in the Usher Hall, and the Angel in Elgar’s The Dream of Gerontius in Southwark Cathedral.

Recent performances include the St Matthew Passion with Dunedin Consort, Second Witch in Errolyn Wallen’s Dido’s Ghost, at the Barbican, Edinburgh International Festival and Buxton Opera Festival and Messiah with Nevil Holt Opera. Forthcoming engagements include Mozart’s Coronation Mass in the Barnes Music Festival, Rutter’s Feel the Spirit in Southwell Minster, Dunster and Brighton Festivals with the Marian Consort, and a solo lieder recital in Vienna.